The stonemasons’ marks in the Cathedral of Santo Domingo, the first cathedral of the new world.

Abstract

In the Middle Ages and early modern period, masons inscribed symbols on dressed stonework and ashlars to identify the work of the individual or team that quarried or dressed the stone or of the workshop of origin. Other marks on stonework can provide instructions, such as the way to place the ashlar. Many of these marks still survive on the fabric of cathedrals, churches, palaces, important houses, castles, and other structures throughout Europe and beyond. This tradition journeyed from Europe to the New World with the stonemasons, although in the Americas very few have been reported. One of the buildings with masons’ marks is the Cathedral of Santo Domingo (1521–1541) in the Dominican Republic on Hispaniola Island. In this study, 28 masons’ marks were identified in 18 places inside and outside the cathedral: these included crosses, letters, geometric forms, and other symmetrical figures. All the marks are in discrete places, and most of them are difficult to find. So far, no scholars have reported stonemasons’ marks on any building in the Caribbean. In the 16th century, the knowledge of construction techniques was a secret and transmitted from builder to builder through the guild or workshop. Therefore, these patterns serve as a tool to identify builders, their place of origin, construction methods, construction phases, and construction dates, among other things. For this reason, the aim of this research is to draw attention to masons’ marks in the New World context as an aid to architectural history and archaeology, creating a database that will help to identify the masons who worked in the Americas in the 16th century, the dates of the construction phases, and the construction techniques they used.